Festival

  • Cotswold Dances 4. Cleve Idyll

    Philip Lane

    Cotswold Dances 4. Cleve Idyll

    Paul Noble - Bandmusicpdf.net · Cotswold Dances 4. Cleve Hill - Philip Lane; arr. by Paul Noble The program notes are included for each of the five movements: 1.The first movement refers to the source of the River Thames, with its rippling...

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  • Cotswold Dances 5. Wassail Song

    Philip Lane

    Cotswold Dances 5. Wassail Song

    Paul Noble - Bandmusicpdf.net · Cotswold Dances 5. Wassail Song - Philip Lane; arr. by Paul Noble The program notes are included for each of the five movements: 1.The first movement refers to the source of the River Thames, with its rippling...

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  • DIE DREI PINTOS, Entr'acte

    Carl Maria von Weber

    DIE DREI PINTOS, Entr'acte

    Paul Noble - Bandmusicpdf.net · DIE DREI PINTOS. Entr'acte Die Drei Pintos (The Three Pintos) is a comic opera in three acts left unfinished by Carl Maria von Weber and completed by Gustav Mahler.  This Entr’acte shows Weber’s...

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  • Divertimento for Winds - 1. March

    David Lyon

    Divertimento for Winds - 1. March

    Paul Noble · Divertimento for WInds- 1. March - David Lyon; arr. by Paul Noble Program notes provided by the composer: 1. MarchOver a steady marching tread, a solo flute introduces the main melody, joined in turn by the other instruments as the...

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  • Divertimento for Winds - 2. Waltz

    David Lyon

    Divertimento for Winds - 2. Waltz

    Paul Noble · Divertimento for Winds- 2. Waltz Program notes provided by the composer: 2.Waltz After a brief intro, the main melody is characterised as a duet, initially between clarinets, then taken up by the other instruments.The brisk 3/4...

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  • Divertimento for Winds - 3. Serenade

    David Lyon

    Divertimento for Winds - 3. Serenade

    Paul Noble · Divertimento For Winds - 3. Serenade - David Lyon; arr. by Paul Noble 3.Serenade A quiet, harp-based introduction leads to a calm, serene melody on solo Oboe.This is given varied treatment by the other instruments, before a rising...

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  • Divertimento for Winds - 4. Jig

    David Lyon

    Divertimento for Winds - 4. Jig

    Paul Noble · Divertimento For WInds - 4 Jig; David Lyon; arr. by Paul Noble Program notes provided by the composer: 4. Jig   A loud chord heralds a complete change of mood, as we are transported into the reckless world of the fairground...

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  • English Dance Suite - II Alman

    John Gardner

    English Dance Suite - II Alman

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less...

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  • English Dance Suite - III Hornpipe

    John Gardner

    English Dance Suite - III Hornpipe

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less...

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  • English Dance Suite - V Volta

    John Gardner

    English Dance Suite - V Volta

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less...

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  • English Dance Suite - VI Pavan

    John Gardner

    English Dance Suite - VI Pavan

    Paul Noble - Bandmusicpdf.net · English Dance Suite, Op. 139, 6. Pavan - John Gardner; arr. by Paul Noble Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not...

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  • Entry March of the Boyars

    Johan Halvorsen

    Entry March of the Boyars

    User 561932992 · Entry March Of The Boyars Entry March of the Boyars was written for orchestra in 1893 by the Norwegian composer Johan Halvorsen (1864–1935). It is one of the most popular works of the composer, and quickly became an...

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